MUSIC IN THE NEWS

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Camilla Williams, black opera pioneer, dies at 92
January 31, 2012

Camilla Williams, believed to be the first African-American woman to appear with a major U.S. opera company, has died. She was 92.

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Audiences flock to 'difficult' contemporary classical music
January 31, 2012

When Swiss conductor Baldur Brönnimann was a student 25 years ago, "if you had more than 30 people at a concert it was a failure because it was populist crap". Today, there are growing signs that contemporary classical music is shrugging off its elitist reputation, with audiences flocking to work previously regarded as austere and impenetrable.

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    Ensemble and Performer News

    Garrick Ohlsson: In Pursuit Of A Warhorse
    January 31, 2012

    Pianist Garrick Ohlsson launched his career in 1970, when he became the first American to win the International Chopin Competition. Since then, he's performed and recorded an exceptionally wide range of piano literature — Chopin, Beethoven, Mozart, Schubert and much more. But there's one romantic warhorse he's avoided in the recording studio until now: Rachmaninov's flashy and notoriously finger-twisting Piano Concerto No. 3.

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    Composer News

    BBC Composer of the Week: Edward Elgar (1857-1934)
    January 31, 2012

    By the end of the Great War, Sir Edward Elgar couldn't compose any music to celebrate peace, disillusioned as he was by the whole period, which Donald Macleod explores in conversation with Terry Charman from the Imperial War Museum.

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    Reviews

    Hector Berlioz Les nuits d'été / Harold en Italie (viola: Antoine Tamestit; mezzo-soprano: Anne Sofie von Otter; Les Musiciens du Louvre-Grenoble; Marc Minkowski)
    January 31, 2012

    Harold in Italy was commissioned from Berlioz by the virtuoso violinist Paganini, who wanted something to show off his fine new viola. Actually, that’s not quite true; Paganini thought he was paying for a flashy concerto, but what he got was a symphonic poem. The viola plays the part of Byron’s Childe Harold, while Berlioz relives his own happy memories of travelling the wilds of Italy, meeting the locals in the mountains, encountering priests, brigands, and travelling musicians. Paganini was disappointed, and never played it… and despite an enthusiasm for most Berlioz, I’ve tended to agree with Paganini, and never quite hit it off with Harold. Until now.

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